The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.

La memoria di una madre con demenza si dissolve gradualmente, sbiadisce e si sgretola.

Director Ryu Hyung-seok, who served as a conscripted firefighter during his mandatory military service, made a documentary about firefighters. Responding to calls from those on the edge of life and death, these modern-day heroes at the Yangsan Firestation and Ulsan Fire Headquarters are the focus of The First Responders. Without voiceover narration or interview shots, the film captures not only the team’s work and daily lives, but also their inner darkness, desires, and the difficult fate inherent in their profession. Here, the camera is not simply a tool for recording but is one of them, acting as their eyes. “Just strip away all emotion and focus on what you need to do,” one firefighter says, and the documentary mirrors this approach, moving steadily forward without being swept up by emotional waves. Yet the film inevitably reaches heart-warming moments. This documentary offers an exceptionally humanistic insight into the profession.

Na Kyung-soo, a diver, is angered to learn that the Coast Guard is assigning responsibility for the death of a fellow diver during the Sewol ferry disaster recovery to Ryu Chang-dae, the representative of civilian divers, and charging him with manslaughter.

THE MAN roams through the mountains, rivers, and seas in search of THE ONE, whom he believes to be a messiah.

대학교에 늦은 시간까지 홀로 남아 청소 노동을 하던 환희는 연습실에서 밤을 보내는 무용과 학생 겨울이 신경 쓰여 미화 휴게실을 내어준다. 겨울은 그런 환희에게 춤을 가르쳐 줄 테니 일주일만 더 휴게실에서 지낼 수 있게 해 달라는 난감한 제안을 하는데... 춤을 통해 서로의 자리를 공유하게 된 두 사람은 가까워지고 멀어지기를 반복하면서 아슬아슬한 만남을 이어간다. 두 사람의 춤은 계속될 수 있을까?